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The Mythic Pattern of the Dying/Reviving God in James Joyce s A Portrait, Ulysses, and Finnegans Wake. Cairo Studies in English (CSE) (Dec. 2004): 149-183
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The Art of Foregrounding in Romantic Poetry: A study of Coleridge's "Kubla Khan," Shelley's "Ode to the West Wind," and Keats's "Ode to Autumn"
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Robert Pinsky and Randall Jarrell: The Functional Use of the Poetic Language. Faculty of Arts Journal (Banha University) No. 12 1363-1387.
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Ode to Psyche and Keats's Soul-Making
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James Joyce and Myth
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Image of Venus in Medieval Contexts
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Octavio Paz and Surrealism. Cairo Studies in English (CSE), Essays in honour of Rashad Rushdy Vol. 2:169-245.
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Reflexivity in the Shakespearean Soliloquy. Fikr Wa Ibda No. 46 (July 2008): 1-26.
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Religion, Science, and Creativity in David Lake s Story "Creator." Fikr Wa Ibda No. 47 (Sept. 2008): 1-40.
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The Concept of Form in William Wordsworth's Poetry
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The Analogist and the Transcendentalist: The Stances of A. R. Ammons and Charles Wright toward the Landscape. The Proceedings of the First International Conference of Minia University, "Cultural Dialogue: Communication Channels Among Nations," November 3-5, 2008, Suzan Mubarak Cultural Center for Arts & Fine Arts: 37-72.
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Evolution of Style and Tone in Charlotte Smith s Poetry. Faculty of Arts Journal (Banha University) No. 22 (Jan. 2010): 1-42.
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Time, Change, and the Uses of the Imagination in Edmund Spenser s Last Major Poems. Faculty of Arts Journal (Banha University) No. 23 1-47.
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Henry House or The White House: The Political John Berryman
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Deep Ecology and Gary Snyder’s Poetry
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Collective Identity in the Early Poetry of William Butler Yeats and Mahmoud Darwish:
A Comparative Study
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Englands of the Mind and John Wain’s Restrained Romanticism
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The Concept of Violence in Modern English Poetry: A Study of Selected Poems by Wilfred Owen, Dylan Thomas, and Ted Hughes
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