Visual language in Mamluk architecture: A semiotic analysis of the Funerary Complex of Sultan Qaitbay in Cairo
Frontiers of Architectural Research • 2013
معلومات البحث
المؤلفون
Nelly Shafik Ramzy
الكلمات المفتاحية
Architectural semioticsSemiotics of spaceArchitectural languageSymbolismArchitectural rhetoric
المجلة العلمية
Frontiers of Architectural Research
الناشر
Elsevier
المجلد
2
العدد
3
الصفحات
338-353
publication.type
International
رابط البحث
Open Link
المواد المرفقة
Not Available
الملخص
Cultural background plays a significant role in the sphere of visual art. Semiotics as a discipline is recognized as a useful tool in gauging cultural background and identifying signs that might represent the message of a certain work. Given the rich cultural context of Mamluk architecture, this form of art can be used in studying semiotics. Semiotic tools were employed to interpret the expression of architectural forms and to formulate a subsequent understanding of these architectural forms by turning each element into a communication tool that elucidates meaning.
The Sufie tradition was the dominant Islamic practice during the Mamluk period, during which metaphysics, numbers, and geometry were regarded as indispensable tools in manifesting the nature of divinity and the order of being. A semiotic reading of the Funerary Complex of Sultan Qaitbay in Cairo, regarded as one of the perfect works of this era, was …
The Sufie tradition was the dominant Islamic practice during the Mamluk period, during which metaphysics, numbers, and geometry were regarded as indispensable tools in manifesting the nature of divinity and the order of being. A semiotic reading of the Funerary Complex of Sultan Qaitbay in Cairo, regarded as one of the perfect works of this era, was …
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